![]() ![]() Narratively, nonetheless, Later recalls current King novellas like Gwendy’s Switch Box as well as Mr. ![]() Emotionally, consider it akin to Night Shift’s “One For The Road” or the titular tale from in 2015’s If It Hemorrhages. It’s inessential, the spin, but plenty interesting in the bigger world of King’s body of work, which the writer’s bound into a literary universe all his very own. And while Later’s vision of the dead is plenty weird by itself, it takes on added resonance when King weaves it in with the occasions of among his most-loved books, one acquainted to even his most casual visitors. It remains in those scenes, stuffed as they are with tablets as well as guns and round gags, that King attempts to hard-boil his story, yet there’s absolutely nothing right here that hasn’t been reheated a dozen times over on cord other than exactly how Jamie’s web link to the dead affects every little thing. ![]() King, who often tends to extend stories out like taffy, crowds Jamie’s experiences with the undead (as well as their “gooshy” injuries) with a mad bombing plane, a questionable investigator, as well as a shameful drug lord. And there’s more in Later than its trim 260 pages may recommend. ![]()
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